Progress on "Desert Hill"

Desert Hill 14 x 14

Here's where I am after a couple of days painting and staring. It's probably 95 % of the way done, the last 5 % is a lot of staring , moving around the house etc. to evaluate values and warm /cool contrast. In the hill paintings how far colors advance and recede is important to create distance.



Here's a few of the evaluation and  finishing techniques I use:


Upside down, this removes the reality of the subject and helps me look more objectively at the shapes, colors and values.

Black and white. This is a quieter painting  for me with  muted taupes and palest sage greens and  lightest blue grays, but are the values too close?

Desert Hill black and white

Generally I let paintings sit a week or two at this stage just to give myself some time for objectivity. This is why it helps to have more than one going at once.
If you scroll down one entry ,you can see the earlier stage of this painting.

"Across the Valley", Mount Diablo Plein Air Watercolor

Across the Valley 22 x 22

This was started last fall and finished after a long winter of work this spring.
It has been very difficult to get a good image because of the value shifts in transparent and opaque passages of color. The blue green in the top part and blue violets in the lower section are transparent and the deep crimsons and burnt oranges are relatively opaque. In person, this painting looks great ,but every time I take a photo the light bounces back through the paper and shifts  the value on the transparent passages. This was printed in Plein Air magazine and it is much truer to the painting in the magazine than it is here. I don't want  to change the painting for the sake of a photo. The cool and warm balance here works very well for me and it's always fun taking a red and green scene and making it not look like a Christmas Tree.

Plein Air Magazine thumbnail