October Vines, 14 x14 Plein Air Watercolor
The old vines on Piner Road in Sonoma have so much character.
These vines were just starting to change color in early October.
This was painted the same day as Bob's GranFondo bicycle event and just before the Riverbend painting of the Russian River posted in the most recent blog entry.
Saturday, October 25, 2014
Tuesday, October 21, 2014
Riverbend, 11 x 14 Plein Air Watercolor
"Riverbend" 11 x 14 , plein air watercolor painted near Duncan's Mills along the Russian River.
Bob did Levi's GranFondo bicycle event in October and I was lucky enough to go to Duncan's Mills to the Christopher Queen Galleries. Contemporary painters and wonderful watercolors upstairs by Percy Grey and Lorenzo Latimer were inspiration for this piece. It was sunny along the coast, our best weather in Northern California is September and October. It was a such pleasure to see green trees and flowing water.
Bob did Levi's GranFondo bicycle event in October and I was lucky enough to go to Duncan's Mills to the Christopher Queen Galleries. Contemporary painters and wonderful watercolors upstairs by Percy Grey and Lorenzo Latimer were inspiration for this piece. It was sunny along the coast, our best weather in Northern California is September and October. It was a such pleasure to see green trees and flowing water.
Wednesday, October 15, 2014
Artists accepted to the California Watercolor 45th National Exhibit
CWA web site October 15th Number 48!
Thanks to Juror Eric Wiegardt for accepting my painting.
It's a great honor to be in this exhibit with such accomplished northern California Artists as Joe Santos, Nt Near, David Broad, Jane Hoffstetter, Iretta Hunter, Charotte Huntley, Qian Gao, Sally Cataldo, Sal Valencia and Myrna Wacknov.
Thanks to Juror Eric Wiegardt for accepting my painting.
It's a great honor to be in this exhibit with such accomplished northern California Artists as Joe Santos, Nt Near, David Broad, Jane Hoffstetter, Iretta Hunter, Charotte Huntley, Qian Gao, Sally Cataldo, Sal Valencia and Myrna Wacknov.
45th National Accepted Artists 2014
Artists & Images
1 | Abraham, Patricia | Hiding Places IV |
2 | Adkison, Melissa | Fuschia 2 |
3 | Arkhipau, Genady | Wcop 85 |
4 | Armitage, Ruth | Beneath the Surface |
5 | Athanas, Denise | Moonlight Nocturne III |
6 | Bailey, Sally Bills | Puzzled |
7 | Baker, Sally | A Rose is a ... |
8 | Barron Leopardo, Joyce | Turning the Corner |
9 | Becker, Marnie | Silent Partner |
10 | Blake, Mary | Sand Pond Ripples |
11 | Bortnick, Eugene | Pike Place Musicians |
12 | Bowler, Pattie | Silly Faces |
13 | Brayton, Francesca | Crystal Cove Hill |
14 | Broad, David | Monterey |
15 | Brown, Niz | Peaches and Cream |
16 | Byrne, Kathy | Glass Floats |
17 | Caldwell, Nancy | Monarch Madness |
18 | Cataldo, Sally | Stillife and Landscape |
19 | Chang, Angela | Wiredsouth Gate Market |
20 | Cheney-Parr, Leslie | Wepham 4 Crests |
21 | Crookston, Nancy | Portrait of Margaret |
22 | Curiel, Taryn | Walking Through the City |
23 | Daily-Birnbaum, Elaine | Deliberations |
24 | Dixon, Colleen | Hoop Dancer II |
25 | Erfle, linda | Persimmons at Sunrise |
26 | Friedland, Michael | San Rafael Victorian |
27 | Gao, Qian | Florence Market |
28 | Garner, Steve | The Element of Chance |
29 | Grinstead, John | Just Picked |
30 | Grudsky, Dmitry | Street Musician |
31 | Harper, Susan | Hope |
32 | Hill, Marilyn | I thought it would be different |
33 | Hofstetter, Jane | Night Passage |
34 | Hu, Xiao Xing | Looking Attentively |
35 | Hunter, Iretta | Up Beat Blues |
36 | Huntley, Charlotte | Zzzits |
37 | James, John | Starting Anew |
38 | Katsenelson, Naum | Foggy Morning |
39 | Kempe, Barbara | Macawcophony |
40 | Kingdon, Ona | Coded Thoughts |
41 | Matthews, Sue | Sea Skyscrapers |
42 | McCormack, Geoffrey | Fresh Frozen Pacific |
43 | McIntyre, Robert | Morning Mist |
44 | Near, Nancy | Waiting in the Wings |
45 | Ng, Woon Lam | Market Place |
46 | O'Connor, Birgit | Rose Dream |
47 | Peterson, David | Merchant and Main St. |
48 | Purcell, Robin | After the Fire IV |
49 | Rogone, Anthony | Forks and Spoons |
50 | Rouse, Charles | Boat Yard Blues |
51 | Sakai, Kathy | Urban Decay |
52 | Salvador, Andre | What Color is your Blown Glass Ceiling |
53 | Santos, Joseph | Drill Rig |
54 | Shoemaker, Doug | San Diego Blue |
55 | Smith, Mark | Pueblos Blancos |
56 | Sorrentino, Vita | Dramaturg |
57 | St. Onge, Jan | Indigo Village |
58 | Staub, Carol | Rays Of Hope |
59 | Steinbach-Garcia, Teresa | Wild Almonds |
60 | Stephens, Ron | CTC Auto Ranch |
61 | Stermer-Cox, Margaret | Just SayinV8b |
62 | Stone, Hazel | Ditat Deus |
63 | Strier, Ellen | Waiting in Malibu |
64 | Suz Chiang, Tan | Relationship of City 8 |
65 | Tang, Michael | Mott Street New York City |
66 | Valencia, Salvador | Race Day |
67 | Wacknov, Myrna | Evolution |
68 | Walsh, Marilyn | Store Window with Reflections |
69 | Walters, Steve | The Wooden Prince |
70 | Wear, Marilyn | Heading Downstream |
71 | Weckbach, Kevin | Blue Pike and Red Glass |
72 | Williams, Erin | Delicious Day |
73 | Wilson, Suzanne | Farmers Market Radishes Leeks Chard |
74 | Wright, Val | On Parade |
75 | Zymolka-Amrhein, Anita | Working Upstream |
Friday, October 10, 2014
Huddled Oaks, Plein Air Watercolor
Huddled Oaks 11 x 14 Plein Air Watercolor
This was painted as practice for the Sonoma Plein Air Event last month near Chalk Hill. I hardly ever paint under cold and foggy conditions, but felt like I needed to practice in case the weather was cloudy.. I was attracted to the shapes and subtle colors of the oaks, especially the one on the far right bravely reaching across the top of the ridge.
As we are in a terrible drought, I couldn't help wondering about the survival technique of taking root at the top and ?driest part of a ridge. This scene also made me wonder if the other side of the ridge was wetter. Another idea in the painting was how simple I could make the vineyard and still have it read. I didn't want detail in the vines distracting from the trees.
Huddled Oaks (Detail)
This was painted as practice for the Sonoma Plein Air Event last month near Chalk Hill. I hardly ever paint under cold and foggy conditions, but felt like I needed to practice in case the weather was cloudy.. I was attracted to the shapes and subtle colors of the oaks, especially the one on the far right bravely reaching across the top of the ridge.
As we are in a terrible drought, I couldn't help wondering about the survival technique of taking root at the top and ?driest part of a ridge. This scene also made me wonder if the other side of the ridge was wetter. Another idea in the painting was how simple I could make the vineyard and still have it read. I didn't want detail in the vines distracting from the trees.
Huddled Oaks (Detail)
Thursday, October 2, 2014
Diablo Arts Magazine Cover and Walnut Creek Turns 100 Exhibit, Lesher Foundation Award
The neighboring city of Walnut Creek has a public arts program sponsored by the city and the Lesher Foundation. I was honored to be asked if my painting " Wild At Heart" could be used as the cover to promote the Walnut Creek Turns 100 Exhibit.
The Bedford Gallery also chose to feature the uncropped version in the brochure for Walnut Creek turns 100.
At the reception I was happy to find out my painting won the Lesher Foundation Award.
On the following Monday I was invited to give a docent talk about my painting which was a great experience, I got to meet some very talented artists and address a lively group of about 40 docents..Thanks to Carrie Lederer and her staff for a wonderful, local experience! Because this exhibit is unjuried it is uneven, but there are some wonderful pieces included, you just have to find them.
Exhibition Details:
Walnut Creek Turns 100: Celebrating the City Through Art September 21 - November 16, 2014
Admission during Walnut Creek Turns 100 is free thanks to a generous grant from the Lesher Foundation
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