http://www.zazzle.com/after_the_fire_2015_robin_purcell_watercolors_calendar-158842361850606682?rf=238860271049362609
Tuesday, December 16, 2014
Saturday, December 13, 2014
Two Paintings accepted into the California Art Club's 104th Annual Gold Medal Juried Exhibition and Sale: After the Fire VI and By the Old Field
After the Fire VI 14 x 17
By the Old Field 16 x 20
I am very excited about this. I have now exhibited in five Gold Medal Exhibits in a row!
This exhibit is juried by an expert panel of musuem professionals and Master Artists so it is very satisfying to be accepted.
Dates:
March 29th to April 19th 2015
USC Fisher Museum of Art, Los Angeles
Californiaartclub.org
Thursday, December 11, 2014
After the Fire VI accepted into the Sixth Annual Signature American Watermedia Exhibition 2015 at the Fallbrook Art Center
Absolutely over the moon about this one. The juror for this is Stephen Quiller who I admire tremendously for his personal style and color in his wonderful landscape paintings.
Exhibit information:
6th Annual Signature American Watermedia Exhibition
Opening Reception Feb 7th
Exhibit dates Feb 8 to March 22
Fallbrook Art Center
103 South Main St
Fallbrook CA
Presenting the 6th Annual Signature American Watercolor Exhibition, featuring works by Signature Members of U.S. watercolor / watermedia societies. Juried by noted watercolorist, Stephen Quiller, AWS-DF, NWS. Presented alongside renowned California-Syle regionalists. The best of old and new - this exhibition offers a rare chance to see current works by 88 of the nation’s top watercolor artists joined by renowned regionalists including Phil Dike, Emil Kosa, Jr, Millard Sheets and more.
Fallbrookartcenter.org
Wednesday, December 3, 2014
After the Fire IV accepted into the 45th National Exhibition of the California Watercolor Association
After the Fire IV 16 x 20 Plein Air Watercolor
Thanks to juror Eric Wiegardt for selecting this painting for the 45th National Exhibition of the California Watercolor Association. This exhibit will be my first in 2015 and I am looking forward to attending the reception in nearby Pleasanton California on January 15th. There are 75 masterful watercolors in this exhibit and I am happy to be a part of it with one of my After the Fire Series Paintings.
Details:
California Watercolor Association
45th National Exhibition
Harrington Gallery
Firehouse Arts Center
Pleasanton CA
January 15th to February 21st
Reception January 15th 6 to 8 pm
Tuesday, November 11, 2014
After the Mount Diablo Fire Series IX and After the Fire X
After the Fire IX 16 x 20
This is where a fire break was created that stopped the fire .
The burnt part of the slope on the left contrasts with the unburnt part on the lower right, the fire broke through at the far end. Getting closer to the trees and burnt areas required careful selection of what to leave out so that it doesn't look like a fall scene.
After the Fire X 14 x 14
This shows what the recovering chaparral looks like up close.
This was fun to paint because of the returning green contrasting with the copper colored bare soil.
These plants clearly have root systems that survived the fire and will be recovering rapidly.
My blog just got the 200,000th visitor on November 19th 2014! Thank you!
This is where a fire break was created that stopped the fire .
The burnt part of the slope on the left contrasts with the unburnt part on the lower right, the fire broke through at the far end. Getting closer to the trees and burnt areas required careful selection of what to leave out so that it doesn't look like a fall scene.
After the Fire X 14 x 14
This shows what the recovering chaparral looks like up close.
This was fun to paint because of the returning green contrasting with the copper colored bare soil.
These plants clearly have root systems that survived the fire and will be recovering rapidly.
My blog just got the 200,000th visitor on November 19th 2014! Thank you!
Wednesday, November 5, 2014
"Bay Light", plein air watercolor 11 x 14
Bay Light 11 x 14. Plein Air Watercolor
This was painted on South Gate Rd on Mount Diablo, just down from junction. As I' ve been looking inland as I paint the After the Fire Series, when I turn to go home at about 4 pm and see this wonderful view of the late afternoon light reflecting off San Francisco Bay. It is interesting painting the late afternoon light as it changes quickly. Painted in about an hour.
This was painted on South Gate Rd on Mount Diablo, just down from junction. As I' ve been looking inland as I paint the After the Fire Series, when I turn to go home at about 4 pm and see this wonderful view of the late afternoon light reflecting off San Francisco Bay. It is interesting painting the late afternoon light as it changes quickly. Painted in about an hour.
Saturday, November 1, 2014
Signature Artist Member of the Month, LPAPA
http://www.lpapa.org/features/2014november/robin_purcell/paint01.html
I was happy to be selected as a Signature Artist member of Laguna Plein Air Painters last year about this time.
LPAPA just recognized me as the Signature Artist Member of the month for November.
When I moved to Northern California in the mid 90's, I fell in love with the plein air painters from Southern California both the turn of the century and the contemporary landscape painters doing wonderful work so this means a lot to me!
They selected a great assortment of my paintings to feature on the page that's linked above, please check it out and explore the wonderful programs LPAPA has for artists and collectors.
I was happy to be selected as a Signature Artist member of Laguna Plein Air Painters last year about this time.
LPAPA just recognized me as the Signature Artist Member of the month for November.
When I moved to Northern California in the mid 90's, I fell in love with the plein air painters from Southern California both the turn of the century and the contemporary landscape painters doing wonderful work so this means a lot to me!
They selected a great assortment of my paintings to feature on the page that's linked above, please check it out and explore the wonderful programs LPAPA has for artists and collectors.
Saturday, October 25, 2014
October Vines, 14 x 14 Plein Air Watercolor
October Vines, 14 x14 Plein Air Watercolor
The old vines on Piner Road in Sonoma have so much character.
These vines were just starting to change color in early October.
This was painted the same day as Bob's GranFondo bicycle event and just before the Riverbend painting of the Russian River posted in the most recent blog entry.
The old vines on Piner Road in Sonoma have so much character.
These vines were just starting to change color in early October.
This was painted the same day as Bob's GranFondo bicycle event and just before the Riverbend painting of the Russian River posted in the most recent blog entry.
Tuesday, October 21, 2014
Riverbend, 11 x 14 Plein Air Watercolor
"Riverbend" 11 x 14 , plein air watercolor painted near Duncan's Mills along the Russian River.
Bob did Levi's GranFondo bicycle event in October and I was lucky enough to go to Duncan's Mills to the Christopher Queen Galleries. Contemporary painters and wonderful watercolors upstairs by Percy Grey and Lorenzo Latimer were inspiration for this piece. It was sunny along the coast, our best weather in Northern California is September and October. It was a such pleasure to see green trees and flowing water.
Bob did Levi's GranFondo bicycle event in October and I was lucky enough to go to Duncan's Mills to the Christopher Queen Galleries. Contemporary painters and wonderful watercolors upstairs by Percy Grey and Lorenzo Latimer were inspiration for this piece. It was sunny along the coast, our best weather in Northern California is September and October. It was a such pleasure to see green trees and flowing water.
Wednesday, October 15, 2014
Artists accepted to the California Watercolor 45th National Exhibit
CWA web site October 15th Number 48!
Thanks to Juror Eric Wiegardt for accepting my painting.
It's a great honor to be in this exhibit with such accomplished northern California Artists as Joe Santos, Nt Near, David Broad, Jane Hoffstetter, Iretta Hunter, Charotte Huntley, Qian Gao, Sally Cataldo, Sal Valencia and Myrna Wacknov.
Thanks to Juror Eric Wiegardt for accepting my painting.
It's a great honor to be in this exhibit with such accomplished northern California Artists as Joe Santos, Nt Near, David Broad, Jane Hoffstetter, Iretta Hunter, Charotte Huntley, Qian Gao, Sally Cataldo, Sal Valencia and Myrna Wacknov.
45th National Accepted Artists 2014
Artists & Images
1 | Abraham, Patricia | Hiding Places IV |
2 | Adkison, Melissa | Fuschia 2 |
3 | Arkhipau, Genady | Wcop 85 |
4 | Armitage, Ruth | Beneath the Surface |
5 | Athanas, Denise | Moonlight Nocturne III |
6 | Bailey, Sally Bills | Puzzled |
7 | Baker, Sally | A Rose is a ... |
8 | Barron Leopardo, Joyce | Turning the Corner |
9 | Becker, Marnie | Silent Partner |
10 | Blake, Mary | Sand Pond Ripples |
11 | Bortnick, Eugene | Pike Place Musicians |
12 | Bowler, Pattie | Silly Faces |
13 | Brayton, Francesca | Crystal Cove Hill |
14 | Broad, David | Monterey |
15 | Brown, Niz | Peaches and Cream |
16 | Byrne, Kathy | Glass Floats |
17 | Caldwell, Nancy | Monarch Madness |
18 | Cataldo, Sally | Stillife and Landscape |
19 | Chang, Angela | Wiredsouth Gate Market |
20 | Cheney-Parr, Leslie | Wepham 4 Crests |
21 | Crookston, Nancy | Portrait of Margaret |
22 | Curiel, Taryn | Walking Through the City |
23 | Daily-Birnbaum, Elaine | Deliberations |
24 | Dixon, Colleen | Hoop Dancer II |
25 | Erfle, linda | Persimmons at Sunrise |
26 | Friedland, Michael | San Rafael Victorian |
27 | Gao, Qian | Florence Market |
28 | Garner, Steve | The Element of Chance |
29 | Grinstead, John | Just Picked |
30 | Grudsky, Dmitry | Street Musician |
31 | Harper, Susan | Hope |
32 | Hill, Marilyn | I thought it would be different |
33 | Hofstetter, Jane | Night Passage |
34 | Hu, Xiao Xing | Looking Attentively |
35 | Hunter, Iretta | Up Beat Blues |
36 | Huntley, Charlotte | Zzzits |
37 | James, John | Starting Anew |
38 | Katsenelson, Naum | Foggy Morning |
39 | Kempe, Barbara | Macawcophony |
40 | Kingdon, Ona | Coded Thoughts |
41 | Matthews, Sue | Sea Skyscrapers |
42 | McCormack, Geoffrey | Fresh Frozen Pacific |
43 | McIntyre, Robert | Morning Mist |
44 | Near, Nancy | Waiting in the Wings |
45 | Ng, Woon Lam | Market Place |
46 | O'Connor, Birgit | Rose Dream |
47 | Peterson, David | Merchant and Main St. |
48 | Purcell, Robin | After the Fire IV |
49 | Rogone, Anthony | Forks and Spoons |
50 | Rouse, Charles | Boat Yard Blues |
51 | Sakai, Kathy | Urban Decay |
52 | Salvador, Andre | What Color is your Blown Glass Ceiling |
53 | Santos, Joseph | Drill Rig |
54 | Shoemaker, Doug | San Diego Blue |
55 | Smith, Mark | Pueblos Blancos |
56 | Sorrentino, Vita | Dramaturg |
57 | St. Onge, Jan | Indigo Village |
58 | Staub, Carol | Rays Of Hope |
59 | Steinbach-Garcia, Teresa | Wild Almonds |
60 | Stephens, Ron | CTC Auto Ranch |
61 | Stermer-Cox, Margaret | Just SayinV8b |
62 | Stone, Hazel | Ditat Deus |
63 | Strier, Ellen | Waiting in Malibu |
64 | Suz Chiang, Tan | Relationship of City 8 |
65 | Tang, Michael | Mott Street New York City |
66 | Valencia, Salvador | Race Day |
67 | Wacknov, Myrna | Evolution |
68 | Walsh, Marilyn | Store Window with Reflections |
69 | Walters, Steve | The Wooden Prince |
70 | Wear, Marilyn | Heading Downstream |
71 | Weckbach, Kevin | Blue Pike and Red Glass |
72 | Williams, Erin | Delicious Day |
73 | Wilson, Suzanne | Farmers Market Radishes Leeks Chard |
74 | Wright, Val | On Parade |
75 | Zymolka-Amrhein, Anita | Working Upstream |
Friday, October 10, 2014
Huddled Oaks, Plein Air Watercolor
Huddled Oaks 11 x 14 Plein Air Watercolor
This was painted as practice for the Sonoma Plein Air Event last month near Chalk Hill. I hardly ever paint under cold and foggy conditions, but felt like I needed to practice in case the weather was cloudy.. I was attracted to the shapes and subtle colors of the oaks, especially the one on the far right bravely reaching across the top of the ridge.
As we are in a terrible drought, I couldn't help wondering about the survival technique of taking root at the top and ?driest part of a ridge. This scene also made me wonder if the other side of the ridge was wetter. Another idea in the painting was how simple I could make the vineyard and still have it read. I didn't want detail in the vines distracting from the trees.
Huddled Oaks (Detail)
This was painted as practice for the Sonoma Plein Air Event last month near Chalk Hill. I hardly ever paint under cold and foggy conditions, but felt like I needed to practice in case the weather was cloudy.. I was attracted to the shapes and subtle colors of the oaks, especially the one on the far right bravely reaching across the top of the ridge.
As we are in a terrible drought, I couldn't help wondering about the survival technique of taking root at the top and ?driest part of a ridge. This scene also made me wonder if the other side of the ridge was wetter. Another idea in the painting was how simple I could make the vineyard and still have it read. I didn't want detail in the vines distracting from the trees.
Huddled Oaks (Detail)
Thursday, October 2, 2014
Diablo Arts Magazine Cover and Walnut Creek Turns 100 Exhibit, Lesher Foundation Award
The neighboring city of Walnut Creek has a public arts program sponsored by the city and the Lesher Foundation. I was honored to be asked if my painting " Wild At Heart" could be used as the cover to promote the Walnut Creek Turns 100 Exhibit.
The Bedford Gallery also chose to feature the uncropped version in the brochure for Walnut Creek turns 100.
At the reception I was happy to find out my painting won the Lesher Foundation Award.
On the following Monday I was invited to give a docent talk about my painting which was a great experience, I got to meet some very talented artists and address a lively group of about 40 docents..Thanks to Carrie Lederer and her staff for a wonderful, local experience! Because this exhibit is unjuried it is uneven, but there are some wonderful pieces included, you just have to find them.
Exhibition Details:
Walnut Creek Turns 100: Celebrating the City Through Art September 21 - November 16, 2014
Admission during Walnut Creek Turns 100 is free thanks to a generous grant from the Lesher Foundation
Wednesday, September 24, 2014
Tuesday, September 23, 2014
Monday, September 22, 2014
Sunday, September 21, 2014
Wednesday, September 10, 2014
A break by the coast: August Pescadaro Marsh 9 x 12 Plein Air Watercolor
August Pescadaro Marsh 9 x 12 Plein Air Watercolor
It was great to go paint at the Coast of Northern California. The moisture in the air was a good change from the dry conditions in the East Bay. This quick 9 x 12 was composed for me by nature, I turned my head and the dramatic darks of the trees contrasted with the distant and middle ground hills and gave the painting a dramatic focus.
It was great to go paint at the Coast of Northern California. The moisture in the air was a good change from the dry conditions in the East Bay. This quick 9 x 12 was composed for me by nature, I turned my head and the dramatic darks of the trees contrasted with the distant and middle ground hills and gave the painting a dramatic focus.
Saturday, September 6, 2014
After the Fire VII and After the Fire VIII
After the Fire VII 9 x 12
After the Fire VIII 13 1/2 x 16 1/2
I enjoyed painting in the evening in July so I went back up Mount Diablo to paint the next two After the Fire series in the early evening.
The light changed the colors so there was an orange/ pink cast to the colors that reminds me of the pinkish caste to the light during a fire. These were painted from South Gate Rd near Rock City where a few trees recently were removed and a new vista of the summit and burnt area is visible. The bare soil took on a lovely terracotta color in the evening light. And I am learning how to compensate for how quickly the light changes at this time of day. (Giving the visual memory muscles a work out for sure)
After the Fire VIII 13 1/2 x 16 1/2
I enjoyed painting in the evening in July so I went back up Mount Diablo to paint the next two After the Fire series in the early evening.
The light changed the colors so there was an orange/ pink cast to the colors that reminds me of the pinkish caste to the light during a fire. These were painted from South Gate Rd near Rock City where a few trees recently were removed and a new vista of the summit and burnt area is visible. The bare soil took on a lovely terracotta color in the evening light. And I am learning how to compensate for how quickly the light changes at this time of day. (Giving the visual memory muscles a work out for sure)
Wednesday, August 27, 2014
"Late July Hills" and "Flowers of the Sun in the Valley of the Moon" in CAC Miniatures en Plein Air
Late July Hills 9 x12 Plein Air Watercolor $700
Flowers of the Sun in the Valley of the Moon 9 x 12 plein air $700
Miniatures En Plein Air
California Art Club Gallery at The Old Mill
1120 Old Mill Road, San Marino, CA
September 9, 2014 – January 11, 2015
I painted "Flowers of the Sun in the Valley of the Moon" for the title. The center flowers were done a long time ago, in the scene they were surrounded by bright foliage. I decided to push it down in value to help you focus on the flowers.
Flowers of the Sun in the Valley of the Moon 9 x 12 plein air $700
Miniatures En Plein Air
California Art Club Gallery at The Old Mill
1120 Old Mill Road, San Marino, CA
September 9, 2014 – January 11, 2015
I painted "Flowers of the Sun in the Valley of the Moon" for the title. The center flowers were done a long time ago, in the scene they were surrounded by bright foliage. I decided to push it down in value to help you focus on the flowers.
Friday, August 15, 2014
"Late July Hills", Plein Air Watercolor Study 9 x 12
Late July Hills 9x 12 watercolor painted on location, Mount Diablo.
I needed a break from driving way up to the burn zone, this was a quick hour and a half in changing light.
The faster the light is changing, the smaller I paint. I also stop when the light is gone and complete these paintings from memory rather than try to paint in the dark. The different scale of the shapes appealed to me and the value pattern was all there, one of those turn my head and say "that's a painting" moments
I needed a break from driving way up to the burn zone, this was a quick hour and a half in changing light.
The faster the light is changing, the smaller I paint. I also stop when the light is gone and complete these paintings from memory rather than try to paint in the dark. The different scale of the shapes appealed to me and the value pattern was all there, one of those turn my head and say "that's a painting" moments
Tuesday, August 12, 2014
Saint Mary's College Museum of Art, By Invitation Only, Revealing the Landscape
Here is how my three paintings look in this exceptionally well installed exhibit which runs through September 21st.
I wish I had the guts to paint my walls like this.
Top: After the Fire 18 x 24 (far right) Collection the artist
Bottom: Rare Sight 14 x 21 Collection Sue Nestor
Zuma Canyon 14 x 21 Collection the artist
These were from a sneak peek during installation from before the opening.
I plan on going back to see it when it is not so crowded. It is an inspiring exhibit that shows a wide range of landscape subjects styles and concepts.
I wish I had the guts to paint my walls like this.
Top: After the Fire 18 x 24 (far right) Collection the artist
Bottom: Rare Sight 14 x 21 Collection Sue Nestor
Zuma Canyon 14 x 21 Collection the artist
These were from a sneak peek during installation from before the opening.
I plan on going back to see it when it is not so crowded. It is an inspiring exhibit that shows a wide range of landscape subjects styles and concepts.
Thursday, July 31, 2014
After the Mount Diablo Fire Series, After the Fire V and VI
After the Fire V 12 x 16
This is looking up at the summit in the fire zone. We had had some rain and there was new growth in the chaparral areas that was a lovely fresh green, the bare chert soil was a deep red, burnt orange that contrasted nicely.
After the Fire VI 16 x 20
This is at Devil's elbow, just below the summit. The fire hopscotched through this area leaving patches of soil and singeing the lower part of the pines.
This is looking up at the summit in the fire zone. We had had some rain and there was new growth in the chaparral areas that was a lovely fresh green, the bare chert soil was a deep red, burnt orange that contrasted nicely.
After the Fire VI 16 x 20
This is at Devil's elbow, just below the summit. The fire hopscotched through this area leaving patches of soil and singeing the lower part of the pines.
Thursday, July 24, 2014
After the Mount Diablo Fire Series, "After the Fire III" and " After the Fire IV"
After the Fire III Plein Air watercolor 16 x 20
After the Fire IV Plein Air Watercolor 16 x20
Here are two more paintings showing the changes on Mount Diablo in the first year after the 2013 fire. Despite the drought there is green vegetation returning in the bald areas left after the fire. As the season prgoesses I am trveling further up into the burn zone to see the plants against the bare earth.
After the Fire IV Plein Air Watercolor 16 x20
Here are two more paintings showing the changes on Mount Diablo in the first year after the 2013 fire. Despite the drought there is green vegetation returning in the bald areas left after the fire. As the season prgoesses I am trveling further up into the burn zone to see the plants against the bare earth.
Thursday, July 17, 2014
"By Invitation Only, Revealing the Landscape" at Saint Mary's College Museum of Art
I am thrilled to have three paintings in this Saint Mary's College Museum of Art Exhibit
The opening is August 10th 2 to 4:30 pm. The exhibit runs August 10th to September 21st.
Here is link to the Saint Mary's web site for more information
http://www.stmarys-ca.edu/saint-marys-college-museum-of-art/exhibitions-and-collections/upcoming-exhibitions
By Invitation Only, Revealing the Landscape:
a contemporary landscape invitational featuring 27 of the Greater Bay
Area's most intriguing and gifted artists, emerging, mid-career, and
established, who vividly demonstrate the remarkable range and breadth of
this iconic subject.
After the Fire 18 x 24 Collection the Artist
This is the side of the mountain I paint most often. It had a lovely trail of pink soil left in the fire's path. There was a brief green season this spring with softer greens than usual. I feel compelled to try to capture the changes on Mount Diablo as it heals and am working on an after the fire Series.
Zuma Canyon 14 x 21 Collection the Artist
This was painted in Malibu. It was the first time I saw how different the ridges and canyons are in Southern California.
This scene has no trees, only bare rocks and low vegetation that hugged the hillsides.The lovely fractured geometry of the rocks is clearly visible.
Rare Sight 14 x 21 Private Collection
This was a Monday morning and chores and errands waited while I seized the opportunity to capture the snow on the summit of Mount Diablo. Usually the snow melts as soon as the clouds lift. This snow fall happened late enough in the season so that it contrasted dramatically with the spring color on the foothills below, it was painting like winter and spring at once.
I have visited the annual summer landscape exhibits at the Saint Mary's Museum of Art, it's usually a highlight of my summer to see the inspiring paintings. So it is especially thrilling to be invited to exhibit here.Saint Mary's College Museum of Art is located at 1928 Saint Mary's Road, Moraga CA
Additional Information:
By Invitation Only:Revealing the Landscape
August 10 - September 21, 2014
Opening reception: Sunday, August 10, 2- 4:30 PM, Museum Patio. Come meet the artists. Visitors will also hear them speak about their own work in a new Guide by Cell tour.
Every summer Saint Mary’s College Museum of Art presents its annual summer landscape exhibition. This year’s exhibition, By Invitation Only: Revealing the Landscape, marks the 24th summer the tradition continues.
On view will be more than 80 works of art, including painting, drawing, photography and sculpture, by 29 artists. These artists paint in plein-air in the natural landscape, sketch in urban locations, sculpt in studios and photograph on mountaintops and in their neighborhoods, each finding fresh new visions of the environment in which they live and work.
The exhibition will include work by Chris Adessa, Sharron Antholt, Randy Beckelheimer, Martha Borge, Nicholas Coley, Christin Coy, Willard Dixon, Warren Dreher, Jessica Dunne, Stephen Joseph, Louis LaBrie, Richard Lindenberg, Peter Loftus, Catherine Mackey, Heidi McDowell, Jack Mendenhall, Teresa Onoda, Sandy Ostrau, Carol Peek, Robin Purcell, Roy Schmaltz, Randy Sexton, Linda Simmel, Tracey Snelling, Anne Subercaseaux, Tom Taneyhill, Bryan Mark Taylor, Donna J. Wan, and Wanda Westberg.
About the Museum
The Hearst Art Gallery was built with the aid of a grant from the William Randolph Hearst Foundation. The Gallery opened in 1977, replacing a smaller William Keith Gallery. The College previously collected and distributed art for several decades, including many works by William Keith (1838-1911), a key figure in the history of California art. Brother Fidelis Cornelius Braeg, Saint Mary's College art professor and Keith biographer, established the original William Keith Collection and Gallery at Saint Mary's in 1934.
Tuesday, June 17, 2014
LPAPA's 10th Annual Best of Plein Air , Exhibiting Late Bloomers and Poppy Mound
The announcement for this exhibit in Southern California. I have two paintings in the exhibit
Late Bloomers 14 x 14
Poppy Mound 16 x 20
I am happy to be in this exhibit, it was juried by Jean Stern of the Irvine Museum and Randy Higbee
Late Bloomers 14 x 14
Poppy Mound 16 x 20
I am happy to be in this exhibit, it was juried by Jean Stern of the Irvine Museum and Randy Higbee
Wednesday, June 11, 2014
Demonstration: " After the Fire II " 18 x 24 (Mount Diablo)
This is Mount Diablo during the brief rainy season after the fire. The pink slash of exposed chert contrasted with the greens of spring.
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